Ok, there are a lot of layers to this, so let me be begin by commenting that “Bleed American,” the opener on Jimmy Eat World’s fourth album which was ONCE called just that, is one of the headiest, steady-handed jabs at reclusive modern culture in rock. Because I know everybody’s going to be saying, with … Continue reading “Blink 182 and Jimmy Eat World: The Much Maligned Odd Couple of Late-’90’s Pop/Punk”